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The Prix Formentor (also known as Premio Formentor de las Letras, Formentor Literature Prize and The Formentor Prize) is an international literary award given between 1961 and 1967. After a long break it was re-established in 2011. In the 1960s, the Formentor Group offered two prizes, the Prix Formentor (The Formentor Prize) and the Prix International (the International Prize); the former was given to previously unpublished works and the Prix International was given to works already in distribution.〔(Pavlovic, Tatjana ) (2011) ''The Mobile Nation: Espana Cambia de Piel (1954-1964)'' Intellect Books p6-64 ISBN 978-1-84150-324-0〕 The prize takes its name from the town of Formentor on the Spanish island of Mallorca that was famous for its literary gatherings.〔 As of 2012, the award carries a cash prize of 50,000 euros ($65,000) given to a single author.〔 ==History== The 1950s saw an increasing expansion of the global interest in Hispanic literature. Looking for a way to further open up Spanish literature markets, Carlos Barral organised, through the publishing house Seix Barral, a series of annual meetings of publishers, novelists and critics. These 'Coloquio Internacional de Novela' ('International Colloquium of the Novel') were held in Formentor on the island of Majorca, Spain between 1959 and 1962, and were paid for by international publishers.〔 〔 The first meeting happened directly after celebrations for the 'Conversaciones de Poéticas de Formentor' '(The Conversations of the Poets of Formentor') 18–25 May 1959, inspired by novelist Camilo José Cela, and brought together a wide variety of multilingual poets. The first Barral Coloquio (29–28 May 1959), focused on the political issues of the role of the novelist in societal change, specifically the new power of social realism, polarised by concerns to give primacy to technical form or political commitment. The second Coloquio (2–5 May 1960) shifted focus towards the role of the publisher as aesthetic pioneer versus commercial entrepreneur. Prominent publishing houses from the US, Italy, the UK, France and Germany, as well as Spain, were present.〔It was at this Coloquio that the Formentor Group was formally founded. The group operated between 1960–68, dedicated to the dissemination of the contemporary literary avant garde, joined during this time by publishers from an array of nations, including Japan, Denmark and Holland.〔( Santana, Mario (2000) ''Foreigners in the homeland: the Spanish American new novel in Spain, 1962-1974''. Bucknell University Press p50-53 ISBN 978-0-8387-5450-4 )〕 It was during this second annual gathering that the participants were tasked with formulating an international prize that would be awarded the following year.〔("The boom in Barcelona: literary modernism in Spanish and Spanish-American fiction (1950-1974)" by Mayder Dravasa ) in Volume 130 of ''Currents in comparative Romance languages and literatures'', p73. Publisher: Peter Lang, 2005 ISBN 0-8204-6827-4,〕 The group's initial idea was to award a 'Prix International de Editeurs', given to authors not widely known beyond their national bounds. It was to be given to avant garde works already published. The group hoped to take control of the market for Western high brown literature. Co-founder Giulio Einaudi stated that the group, working with all major European publishers, was strategically placed to have a monopoly on "priceless information that would place them in the forefront of all narratives". Combined, they hoped to gain unrivalled access to all literary creation and criticism.〔 Barall intended that the judging would be a symposium for lectures and debates held publicly in the presence of journalists, as it was.〔 Instead of one prize, as a compromise between literary and commercial goals, two prizes were devised: the Prix International and the Prix Formentor, to be initiated in 1961. The Prix International was judged by a team of literary specialists and writers assessing quality, similar in structure to the judging of the Nobel Prize. The Prix Formentor was decided by publishers, in a secret vote at a closed session.〔 Critics such Santana and Pavlovic point to the clash within the Formentor group and between the two prizes presenting concerns for art versus the market, the cultural versus the economic, Madrid (a literary/political centre) versus Barcelona (an economic nexus), leftist priorities versus more centrist financial interests. Dravasa also points to clear divisions between publishers from Latin and Anglosaxon cultures and also between Spain and Latin America whose 'colonialist' literature was held as somewhat parochial.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Prix Formentor」の詳細全文を読む スポンサード リンク
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